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傳說中的國寶山椒魚竟然是冒牌貨！？被譽為國寶的爬蟲類生物大山椒魚又名「金次郎」，在1867年曾被第15代將軍德川慶喜帶往巴黎世界博覽會參展。由當時開始，照顧金次郎的責任一由二宮家世代相傳，二宮家每年也會收到由政府發放、多達數十億元的「保護費」。一天，自稱「21世紀天才X光大師」的飛島芳一受到第二農響會長的委託，調查國寶金次郎的真偽，因為據說金次郎當年在展出期間，曾經因意外導致骨折。與此同時，二宮家第四位千金Azuki，收到被逐出家門的父親四郎的叮囑，要帶同金次郎離開二宮家到安全的地方，尋找素未謀面的母親。在金次郎150歲生辰的當天，於二宮家盛大的慶祝派對中，飛島芳一和Azuki相遇了… 《Pavillion山椒魚》由《甲賀忍法貼》、《蟲師》小田切讓、《死亡筆記》香椎由宇等主演。導演是富永昌敬，本作是他的首部長編作品。。讲述1970年代，想要重拍电影《蜘蛛网》结局的金导演（宋康昊饰），遭到审查部门的干扰以及演员、制片人的反对，在如此混乱的情况下进行拍摄而发生的令人哭笑不得的故事。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。