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影片根据黄晰映原作改编，是李晚熙生前的最后一部作品。著名导演河吉钟曾评价道：“这部电影是凝聚了韩国电影思想精髓的不朽名画，眼看就要迎来本土电影改革的契机，可惜做得仍不够。不过，我欣赏其散发出来的神秘气息。”这番话反映了本片在韩国电影史上的重要地位。它是韩国史上早期一部珍贵的公路电影，在近代化冷漠的过程所插入的温暖视线尤其罕见，以广廓的雪原为背景的所调和出的人物与自珠的色彩令《去森浦的仙路》没有沦为一般的平庸之作，也靡补了当时韩国电影制作公司粗制滥造的恶劣风气的遗憾。实验性和新派性，传统与新潮的格格不入带来的强烈反差，谁也不能否认李晚熙眺望人生的深刻所带给观众的不寻常的感动。 李晚熙是在对本片进行后期剪辑的途中病倒在工作室里的，之后被送去医院后抢救不治哲世。因此，剧组的工作人员透露：“大概他也意识到这也许是自己人生最后的电影，所以尽管气色他看起来不太好...。Susanne Wallner returns to the ruins of Berlin from a Concentration Camp after WW2 to discover that someone else lives in her apartment: Dr. Hans Mertens, the war made him depressive and he drinks a lot of alcohol. Susanne asks him to go but he doesn't want to, so they share Susanne's apartment and even discover their sympathy and then their love for each other. That encourages him a little, of course. But then he hears that Ferdinand Brückner is still alive and also lives in Berlin. Brückner was his Captain during WW2, he gave the order to kill more than 100 innocent people, many children and women among them, on Christmas 1942 in Poland. Summary written by Cinemator。