侦探游戏

视频简介

本剧描述落魄潦倒的赌棍、瘾君子兼懒鬼Buddy Dobbs（Michael Rosenbaum）为躲债来到一座偏远的小镇。他觉得自己已经走投无路，于是萌生了自杀的念头。正当他打算从一座桥上跳下去时，一个牧师及时拦住了他。倒霉的牧师脚底下一滑，自己从桥上掉下去摔死了。Buddy突然眼前一亮……他何不盗用这个牧师的身份，以他的名义开始「全新的生活」？于是他来到一座人际关系紧密的小镇，骗当地人说自己是新上任的Loomis路德教堂的「同性恋牧师」，当地人竟然相信了。他一开始准备拿着被自己盗用身份的真牧师的所有积蓄一跑了之，但当地人——包括他自己的教堂助理——都很喜欢他，他也有点喜欢这些人。他决定放弃逃跑的念头，从此以这个「改过自新」的新形象生活下去。「治疗」对性爱疯狂的少女，盗取未成年的毒品，朗读《圣经》经文……他的日子也不算太无聊。他会把这个假身份保留多久...。徐湘从小被粗人余威收养，为了报恩，拼命工作，且对余威惹下的种种祸端，都一应承担，还肩负起抚养弟弟永发与妹妹美丽的重担，在香港大社会展开了其苦苦挣扎以求得生存但不忘上进的奋发历程。 徐湘自少就跟余威在偏门行中打滚，所以当他邂逅象征光明美好一面的社工殷绍文时，爱慕之情油然而生。 而绍文也被徐湘亦正亦邪的扑朔迷离所吸引。岂料徐湘好友谢森心仪绍文已久，为此徐湘与谢森差点反目成仇；再加上二人同在恒通银行干事，公事上常有纷争。另一方面，徐湘内心一直丢不开青梅竹马的时玩伴高雪媚，形成一段四角恋情。物欲流，方显男儿本色；清感纠葛，才现铮铮铁骨，徐湘终作出了令人无悔的选择……。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。